Valerie Norris, Osen (2016) Acrylic on found printed board. Image courtesy of the artist. Photograph: Ruth Clark


Suminagashi marbling by Victoria Hall

Love Sounds

Masha Tupitsyn

Saturday 26 August 2017, 7pm

Masha Tupitsyn’s Love Sounds (2015), a 24-hour durational work, will be broadcast via the Rhubaba website, to watch and listen online.

A day-long audio history and essay, Love Sounds offers an insight into the affective and verbal landscape of love in cinema, which, Tupitsyn believes, “remains the last medium for speaking and performing love culturally.”

Presented as part of You hardboiled I softboiled, a project thinking about the relationship between love and knowing and how love might act as a mode of navigating the Other, Love Sounds expands and interrupts upon ongoing correspondence between writers Jessica Yu and Sam Riviere and works by Valerie Norris and Rosalind Nashashibi, currently on display at Rhubaba.

Love Sounds concluded Tupitsyn’s “immaterial trilogy,” which began in 2011 with LACONIA: 1,200 Tweets on Film, the first book of film criticism written entirely on Twitter. LACONIA experimented with new modes of writing and criticism, updating traditional literary forms and practices like the aphorism and the fragment. Re-imagining the wound-and-quest story, the love narrative, and the female subject in love in the digital age, Love Dog, published in 2013, was the second instalment in Masha Tupitsyn’s trilogy of immaterial writing. Written as a multi-media blog and inspired by Roland Barthes’ A Lover’s Discourse and Mourning Diary—a couple in Tupitsyn’s mind—Love Dog is an art book that is part love manifesto, part philosophical notebook, part digital liturgy.

Further information

Jessica Yu has been selected as a ROSL Visual Arts Scholar by Rhubaba. The Royal Over-Seas League and Hospitalfield partner each year to select new commissioning organisations, supporting them to research and select commonwealth artists to undertake a month long residency at Hospitalfield. Jessica took part in the 2016 Autumn Residency at Hospitalfield and will be returning to Scotland in August 2017.

Jessica Zhan Mei Yu is a writer and a Creative Writing PhD student at the University of Melbourne. She was selected as one of Melbourne Writers Festival’s 30 under 30 in 2015. Her work has been published in The Best Australian Poems, Overland, Cordite, The Lifted Brow, Award Winning Australian Writing, The Saturday Paper and more. She is currently working on her PhD thesis as well as her first novel. She has spoken and performed at Melbourne Writers Festival, Emerging Writers Festival, Digital Writers Festival and on ABC Radio and Triple R. She has received a Glenfern Fellowship and a Wheeler Centre Hot Desk Fellowship. She was awarded Best Fiction at the Express Media Awards in 2014, received second prize in the John Marsden Prize for Young Writers 2011 and was the Victorian recipient of the Taronga Poetry Prize in 2008.

In association with ROSL ARTS and Hospitalfield.
Part of the Edinburgh Art Festival 2017.

You hardboiled I softboiled

Rosalind Nashashibi | Valerie Norris | Sam Riviere | Masha Tupitsyn | Claire Walsh | Jessica Yu

29 July – 27 August 2017
Fri–Sun, 12—5pm or by appointment

Preview Friday 28 July, 8—10pm

Rhubaba presents an ongoing polyvocal project centering around the work of Melbourne-based writer Jessica Yu. Initiated in 2015 in association with Hospitalfield and the Royal Over-Seas League, the project will bring together the voices of Jessica, poet Sam Riviere, editor Claire Walsh, artists Valerie Norris and Rosalind Nashashibi and writer and multimedia artist Masha Tupitsyn. During the Edinburgh Art Festival, You hardboiled I softboiled will consist of an in-gallery press, an exhibition, two purpose built street-facing display cases and a one-off broadcast.

Jessica is interested in reconstituting memory and place through her writing, specifically addressing ‘home’ as an indefinite, extensible sensation. In other strands of her writing, ‘love’ is interrogated, stretched and practiced as a creative and productive force. Incorporating diasporic identity and postcolonial concerns, she explores how these notions are distorted over geographical distance and periods of time. These ideas form the framework of You hardboiled I softboiled and were the starting point for a long-distance working practice in the form of an email exchange between Jessica and fellow writer Sam, initiated during their meeting in Edinburgh last year.

An in-gallery press, established by Claire and the Rhubaba Committee for the duration of the exhibition, will operate both on-and-offline as means of publishing extracts from the email thread and new writing by Jessica and Sam. The output of this press will take the form of emails, a series of printed pamphlets and two street-front display cases. As a playful exploration into staged intimacy in contemporary modes of online communication and related ideas of authenticity, visitors will be given the opportunity to be carbon copied or ‘cc-ed’ in to Jessica and Sam’s email conversation as readers.

Presenting Rosalind Nashashibi’s film This Quality (2010) and paintings by Valerie Norris, the exhibition draws on instances of love and loving in poetry and visual art practices and looks for intersections between these forms.